Close Encounters of the Third Kind is a wonderful movie for a hot summer night. I'm astonished at how well Steven Spielberg was able to capture the vibe. Making
GIFs from the movie is especially hard, given the limited color palette I was working with.
video2gif Close\ Encounters\ of\ the\ Third\ Kind\ \(1977\).mp4 ~/Downloads/close-encounters-3rd-kind-keyhole-glow.gif -s 51:11.25 -t 3.5 --saturation 1.333 --crop-h ih*0.7 --crop-w iw*0.7 -w 640 --contrast 1.3 --gamma 1.1
video2gif Close\ Encounters\ of\ the\ Third\ Kind\ \(1977\).mp4 ~/Downloads/close-encounters-3rd-kind-open-door.gif -s 51:22.8 -t 2 --saturation 1.333 --crop-w iw*0.7 --crop-h ih*0.7 -w 640 --contrast 1.3 --gamma 1.1
I went back to Contact to make a nice GIF of a short reaction that nevertheless lives rent-free in my head. This movie is great for evincing the human reaction in the face of the unknown, awe-inspiring, and numinous—which is great for overreacting on Twitter.
video2gif /Volumes/Media/Movies/Contact\ \(1997\).mkv ~/Downloads/contact-my-god.gif -s 1:54:11.5 -t 2.1 --crop-w iw*0.6666 --crop-x 0 -V "Black" -F "SF Pro Text" -T "MY GOD" --gamma 1.2 --contrast 1.2 -w 640
I've made two recent breakthroughs in my
- I've realized that I can get HDR tonemapping working pretty well if I use this combination of options:
--tonemap mobius --saturation 1.5. This seems to compensate pretty well for whatever I've messed up in my tonemapping code. The Predator GIF is a good example.
- For captions, I've begun using the "Black" (heaviest) variant of the SF Pro Text font, which really pops against a busy GIF.
I did make a couple of other GIFs recently, so maybe I'll follow up on this post with a second one soon.